The Come n’ Go’s Tumbling Heights lives up to its twisted and raw power potential. My initial thoughts after switching on “Chateau phonoeque” were that Tumbling Heights seeks to profess the method of swaying listeners into a life of dirty, rock n’ roll–inspired sin. There are certainty poor choices to be made while this album is blasted at a deafening and window-shattering volume. Listeners will easily find that Tumbling Heights has noise and beats to inspire volatile flaying and jumping about. This invocation can be found in numbers like “Lemmy,” “Today Sometimes” and “Attitude.” However, if listeners are seeking a sound that will take them out of their mind into a distorted and mind-numbing headspace, they can check out “Borderland.” Other reactions that this album elicits are tranquil thoughts from the track “What is it?” I’ll admit, that last one is a bit of a surprise for me, but Tumbling Heights manages to traverse an entire spectrum of rock n’ roll, though its influence is clearly rooted in the garage, which doesn’t lend to Tumbling Heights’ synergy.

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